This concert is essentially divided into two parts. The first needs no introduction, as the focus is on J. S. Bach. A brief note only on the choice of pieces, which - within the universe of his great preludes, fantasies, toccatas and fugues for organ - are perhaps among those best suited to organs with reduced sound resources. The second part of the concert is dedicated to English music from the transition from the High Baroque to the early Romantic period. Under the motto "from Bach to Wesley", we will first hear a fugue by Handel, who worked influentially in England in parallel with J. S. Bach in Germany; this particular fugue is characterised by a theme that shows a "daring" interval of major 7th, as well as an appreciable general chromaticism. Another inescapable name in 18th-century English music is Stanley, who became popular for his significant output of organ voluntaries, of which we'll hear a more atypical example within this genre (in tripartite, concerto-like form). Finally, from the important Wesley family: Samuel (the man responsible for introducing and publicising the music of J. S. Bach in England), we will hear a voluntary. Stylistically it follows the tradition of its predecessors, but there is already some harmony anticipating new times. Samuel Sebastien Wesley, one of Samuel Wesley's sons, is the composer who marked the transition to romanticism on the organ in England (his second name "Sebastian" is his father's homage to J. S. Bach).